The Alliance Française of Johannesburg, the French Institute of South Africa (IFAS), and Bassline Live in partnership with the Market Theatre Foundation are proud to announce the 7th edition of the Fête de La Musique – the iconic global celebration of music that annually warms winter calendars in Johannesburg and celebrates the universal language of music!
Officially announced as the 9th June 2018, the date is highly notable, as for one day Newtown comes alive with festivity – bringing families and friends together for good food, fun activities and above all, free music for the entire day.
With a countrywide application process having been underway for the past two months, 6 stages willnow be filled with the best in professional and amateur musicians and bands, all encouraged to perform, entertain, express themselves, and continue generating music for future generations.
In previous years, up to 8000 people have gathered in the Newtown Junction to be part of the Fete experience – and the numbers are estimated to climb this year with the addition of two new music stages. These 6 open-air stages will offer styles to cater for every taste and genre of music, including certain French and international acts.It is a fun, safe and exciting atmosphere that brings communities together between 11am and 7pm. With over 2000 safe parking bays, restaurants and bars, one can make the most of this free music event.
We are very proud and grateful to announce that once again, Total South Africais supporting this event. The Fête de la Musique is part of their heritage portfolio which is dedicated to supporting and advancing the cultural and artistic endeavour across multiple disciplines.
Nyameka Makonya, CSI Manager of Total was quoted as saying,“Total South Africa is excited to, once again, be a partner in bringing French and South African culture together at this unique event. As a French business operating in South Africa, it is essential to support events that unify our heritage and demonstrate the opportunities that our commitment and collaboration in the arts creates for all South Africans.”
We are proud to present the preliminary line up of musicians for 2018 below.
The full programme is also available on:
Website – www.fetedelamusiquejhb.co.za
Facebook – @fetedelamusiquejhb
THE FÊTE DE LA MUSIQUE – FROM FRANCE TO SOUTH AFRICA
The Fête de la Musique was created in 1982 at the initiative of Jack Lang, then French Minister of Culture. The idea of organising a free music evening was made a reality by Maurice Fleuret, Director of Music and Dance who observed that one child out of two in France played a musical instrument.
Originally, the Fête de la Musique (or World Music Day) is a popular and free music event taking place down the streets each year in France on the 21st of June, day of summer solstice, the shortest night of the year in the northern hemisphere. Throughout the country and abroad, jazz, soul, funk, rock, electro, reggae, classical music and many other musical styles are enthusiastically celebrated by amateurs and professional musicians.
Nowadays, the Fête de la Musique has become one of the country’s greatest cultural events and an international phenomenon. It is celebrated in June in no less than 700 cities in the world in 120 countries including South Africa. The Fête de la Musique allows million to discover new musical trends from traditional music to rap, hip-hop, techno, world music, musical carnival and so much more. The Fête de la Musique is celebrated in a cheerful and festive atmosphere by both amateur and professional musicians who perform in the streets, squares, gardens or courtyards for free.
The event gives the opportunity for the major musical institutions to reach out new audiences. The Fête de la Musique makes the art and culture more accessible for all.
THE SOUTH AFRICAN FÊTE DE LA MUSIQUE
Thanks to the vibrant and global French cultural network, the Fête de la Musique has expanded internationally and continues to grow exponentially. In South Africa, the first Fête de la Musique was inaugurated in 2010 in Richmond Hill, Port Elizabeth. The second one took place the following year at Arts on Main in Johannesburg.
Taking place now in the Newtown historical cultural hub, it drew last year more than 30,000 music lovers in Johannesburg, Port Elizabeth, Pretoria, East London and other cities. The Fête de la Musique is one of the fastest growing festival brand in South Africa, attracting every year more and more people.
FETE DE LA MUSIQUE 2018 – ARTIST LINE UP
Femi Koya is the new face of the African Renaissance. Combining Afrobeat and jazz, West African highlife with a nostalgic Sophiatown flavour, his music is a rich blend of deep and sultry jazz and contemporary groove. He is urban and urbane. His life’s journey – a story of migration from the West to the South – resonates in his music, which creates a conscious dialogue between West African and South African sounds. This musical fusion demonstrates the path to a new and culturally integrated Africa in which a common heritage is reinforced to meet the needs of today’s world. His quest is for African unity at a time when he believes Africa should claim its rightful and proud place in the world.
Senegalese multi-disciplinary artist Ibaaku is a prolific and eclectic artist. Like a musical UFO, he introduces us to his world mixing hip-hop and experimental electro blended with
Senegalese references and afro-futuristic style. During his Southern African tour, he will perform at the Fête de la Musique for an exceptional musical getaway of styles and art forms.
JESS AND CRABBE
Jess & Crabbe originally established their name as a house music act. Since 1999, this French duo has released several records and has produced numerous remixes for various artists including Daft Punk. Their mixtapes are currently considered classics and acclaimed by loyal fans all worldwide. In 2010, Southern Fried Records reissued a version of their ’99 hit, Big Booya, with remixes among which Fat Boy Slim’s.
In 2013, the UK label, Hot Haus Rec./UTTU, reissued Big Booya and Council with remixes by Matrixxman and Kodiak. In 2010, they co-founded BAZZERK, a music label and multi-form entertainment project that focuses essentially on African urban music and worldwide experimental upfront club music. In addition, the emergence of Kuduro out of afro communities in Europe, US, and Japan is credited to them. They brought into the spotlight the often ignored Afroscenes, particularly those originating from Southern Africa and Portugal. Crabbe has been the chief A&R of the label B.Yrslf Division from 2010 till mid-2015, which focused on the emerging bass scene and all mutating forms of house and club music. Jess is also the co-curator of the compilations Space Oddities from Born Bad records and is the founder and drummer of afro-funk-punk band 10LEC6 under Ed Banger records.
Morena Leraba is a shepherd from the mountains of Lesotho who fuses his homegrown traditional Famo inspired vocals with electronic dance, reggae, hip-hop and everything in between. Meshing cultures and sounds from far and wide to create a truly unique sonic experience with producers and collaborations around the world.
Transcending the underground with the utmost credibility, Batsile Ramasodi is undoubtedly and unmistakably a burgeoning force within the entertainment and performance arts realms. With more aliases than James Bond, this multifaceted performer is commonly known to the entertainment world as “B.O.Y Wonder”, a persona well known for delivering crazy yet memorable and energy filled stage antics.
Hailing from the streets of the western townships of Tshwane Pretoria better known as Atteridgeville, it is there where “B.O.Y Wonder” forged his path in becoming a multi-disciplined performer whose talent knows no bounds. This saw him being dubbed “Jack of all trades” by his fellow colleagues and affiliates in the industry. This is testament in his ability to transform himself from a “kick ass” street performer, mime, MC, comedian, rapper, theatrical stage performer to a mainstream television actor with effortless ease. It is these acumens that have seen this young modern maverick inducted in the class of a new generation of industry leaders in the South African entertainment scene.
With a natural fusion of pop, electro, funk and soul, Easy Freak are setting the South African music scene alight. The Durban duo made up of Dom Hurd and Jude Kenrick have been making waves and getting crowds moving to a fresh and unique sound. They have made their mark playing at some of South Africa’s biggest music festivals; Zakifo, Durban Picnic Day, Oppikoppi and Music at the Lake as well as Swaziland’s Bushfire Festival. Sharing the stage with the likes of the legendary Damien Marley, Ricky Rick, Cassper Nyovest, Kwesta, Micasa, Sketchy Bongo & The Wolfpack, Matthew Mole and so many of Mzansi’s favourites – they’ve definitely got the nation’s attention.
If you haven’t been lucky enough to see them live, you’ve probably grooved to their music on Trace Urban, MTV Base and your favourite radio stations. After four single releases, we saw them climb to the very top of the radio music charts, such as 5FM Top 30, Pop Top 10.
and YFM Top 40. Easy Freak have given South Africa a taste of the heat with their much-anticipated debut album “I’m Alright”. It showcases the duo’s song-writing and producing abilities, as well as their musicianship.
Youtube links: https://www.youtube.com/watch?v=33vDobLaBvo
G-SAND (God Sons and Daughters)
Guitar riffs and jazz melodies is Lindani Buthelezi of G-SAND… jazz vs rock’s silent take-over in 2017. G-SAND is based in Johannesburg, South Africa, bringing a fusion of sounds, ranging in complementing styles and complexities. G-SAND embodies jazz, rock ‘n roll, indie & Zulu folk with a raw and distinctively African sound. Lindani Buthelezi, is the founding member and former lead guitarist and vocalist of Blk Jks. Having toured in the USA, Europe and performing at the opening concert of the FIFA World Cup in 2010, he has had a successful career spanning over 17 years of dedication to his craft. Sharing the stage with of the likes of artists such as Femi Kuti, Black Eyed Peas, Angelique Kidjo, Vusi Mahlasela and 30 Seconds to Mars, he embodies the cultural diversity that is South Africa. His music dances effortlessly, weaving stories in various South African languages, as the guitar sends the listener on a unique journey. G-SAND / Linda Buthelezi has appeared at events all around South Africa, and is currently working on the 2018 LP/Album release. GSAND has most recently appeared at the 2017 Afro Punk Festival.
Ikati Esengxoweni, is an alternative, urban traditional, world-music band, based in the Nelson Mandela Bay. Ikati Esengxoweni, translated in English is “Cat In The Bag”. The band was formed in 2015, by young hip creatives, Lark Wantu, on lead vocals as well as percussion instruments &AnamManyati on lead vocals acoustic guitar & percussion. The live band, is experimental and often includes western and indigenous instruments in their sets, to set a different & liberal tone in their music. Instruments such as the violin, bass, drums, uhadi &kalimba, have accompanied the music and have added an element of surprise with each Ikati Performance Art Experience. In 2016, Ikati Esengxoweni, was handpicked by IMEXSA, Independent Music Exporters South Africa, to perform, network and attend business conferences, around the world, in places such as Barcelona, Spain & Cannes in France.
Itai Hakim is a musician and performance poet whose overall artistic output intends to reimagine and recreate the tradition of Black Folklore and story-telling in a contemporary setting, through song and performance. A unique guitarist whose musical output does not fit comfortably into any genre, he can best be described as folk-soul. His performances are curated by a novel voice with an ethereal quality sung in his native Tshivenda and Xitsonga. Itai Hakim’s hybrid of Afro-blues and Indie Jazz expressed through the unique plucking style of traditional folk masters create a soundscape which feels both old and new at the same time.
Zambian-born, Botswana-raised and Johannesburg-based Moonga K is accompanied by an ageless soul and a fresh, international perspective. His crystal vocals cut through an industry of complacency with soft, striking introspection, atop authentic instrumentation and jagged production. After successfully releasing his debut 6-track EP “Free” which was hailed for its vivid fusion of introspective neo-soul, confessional alt-pop and elements of traditional R&B, he was selected for the Apple Music New Artist Spotlight. Moonga K. now returns with his debut full-length effort “Wild Solace”, which marries the smooth musings of traditional and
modern R&B with a razor-edge, electronic outline – an alternative and wholly unique offering announces his effervescent presence with pure soul At 21 years of age, Moonga K. is set for marvellous heights.
Youtube links: www.youtube.com/moongaktv
Motèl Mari is João Orecchia, Mpumelelo Mcata and Tshepang Ramoba. Shortly after landing in Johannesburg in 2004, Orecchia, a Brooklyn-born and schooled wanderer, who wound up in Berlin as a teenager messing with experimental punk before moving years later to South Africa, heard some talk about a psychedelic afro-rock outfit called BLK JKS. They became fast friends and have been working together on projects ever since. Mpumi and Tshepang (guitar and drums respectively) contributed to João’s 2009 album, Hands & Feet, and would often join him on stage, adding thunderous beats and general bigness to the otherwise textural and floating soundscapes. Slowly they started becoming a band.
Band members are João Orecchia on voice, guitar, banjo, bass, vuvuzela, kazoozuzela, accordion, synthesizer, electronics, tapes, toy piano & loops. Mpumelelo Mcata: voice, guitar, bass, synthesizer & loops and Tshepang Ramoba on voice, drums.
Radio 123 started a duo comprised of Nyameko ´Sipho´ Nkondlwane&SimangalisoMfula; both well versed musicians with extensive live performance experience in the South African music-scene. The two got their start in 2007 as part of the township ensemble Impande Core, a band known for their complex chord progressions and lyrical influence on kasi slang. In 2015 lead vocalist Simangaliso and trumpeter Nyameko left the collective to create a more progressive sound as Radio 123. In 2017 they grew to four-piece band with Lunga Majaja on drums and Sbusiso Ndlangisa on bass.
The sound they would develop is the funk infused “Mandela Pop” which they describe as a sound that reflects the rainbow spectrum that South Africa has become. This new sound sees Radio 123 telling township stories in the many dialects that Smanga hops and skits through; sometimes rapping, most times singing, switching between the two with the ease of a seasoned entertainer.
Radio 123’s objective is to share and preserve stories of everyday people through music. And so far they’ve done that on stages that include Africa’s biggest hip hop festival Back to the City, YFM Rewired, Live in Colour, Africa’s biggest alternative music festival Oppikoppi, the first edition of Afropunk Festival Johannesburg and Primavera Pro (Barcelona, Spain).
A holistic understanding of music has allowed the band to collaborate with a variety of musicians including progressive electronic producers Dejot (Daniel Jakob – Mouthwatering Records, Switzerland) and TRST the DJ (Tshepang Ramoba – BLK JKS drummer), as well as the already legendary live jam in Soweto with UK hip-hop turntablist DJ Yoda.
In February 2018, Radio 123 released on POST POST Music their debut EP, Manga Manga.
Produced by Tshepang Ramoba, the 4-track EP contains hit single and video Thando, included in the sound track of motion picture Love by Chance.
Robin Thirdfloor, aka Simphiwe Nyawose sparkled as a young alternative hip-hop artist in March 2014, when he self-released online the E.P ‘Sounds Empty Pockets Make’, which got more than 2 000 downloads in less than a month. Hit single Confessions got playlisted on multiple radio stations including college radio station in Chicago (USA). Confessions and another track, Fly Away, were featured on SABC 1 drama series ‘Mutual Friends’.
Robin received five nominations in the Original Material Awards 2014, in the categories of Song of the Year, Best Newcomer, MC of the Year, Best Sleeve Design, and EP of the Year. After closing the main stage of the 2016 edition of South Africa ́s biggest hip-hop Gathering, the Back To The City Festival in Johannesburg, Robin Thirdfloor brought his sound to new levels in March 2017 with Somdanger, a neo-kwaito club banger paying tribute to the Durban nightlife with a video shot in his hometown Umlazi. This led him to be one of the few South African artists to be selected for the official showcase of SWSX 2017 (Austin-Texas, USA).
Mina Nawe is the first single of Robin ́s EP ‘Bhotela’, recorded Swiss producer Dejot aka Dubokaj (Mouthwatering Records). In late 2017 Robin released his new EP titled ‘Bhotela’ as a Deezer exclusive and debuted at number 23 on the top 25 streamed albums in South Africa. A real talent to keep an eye on.
Sam Turpin is a rapper and producer from Johannesburg, South Africa. Born in 1995, Sam began performing when he was in high school in 2013 after his mother passed away. In March 2014, after some self made music videos, Sam released his debut EP “Eternal Sentiment” online. Soon afterwards he collaborated with ILLA N, Lenny-Dee, lead singer of Bye Beneco, Alec Lomami, DJ Spoko, TheGood Dokta, Langa Mavuso & Yaw P. Sam has performed at the 2015 & 2016 Basha Uhuru Festivals and in 2017 released his first full mixtape titled “4am in Jozi” available to stream & download online.
Website : https://samturpin.bandcamp.com
Facebook : https://facebook.com/samturpinmusic
Twitter : https://twitter.com/sam_turpin
Youtube links: https://www.youtube.com/channel/UCgZ5lZjH2mri6hMbGW4WOnA
THE LECTRIC MONKS
The Lectric Monks are a South African upbeat “Tarantino-Funk & Roll” outfit from Pretoria, formed in the Spring 2014. The 6-piece includes, Francois vd Merwe (Rhythm and Vocals), Gary Peacock (Harmonica and Vocals), Henk Oosthuizen (Lead Guitar and Vocals), Cynthia van der Mescht (Keys), Duncan Potgieter (Drums) and Dylan du Toit (Bass).
The band draws roots from rock, folk, funk, psychedelic rock, classical blues and even jazz – blending the past with many of today’s musical styles. Some of their fans describe their music as “a new kind of old stuff”.
The Lectric Monks have been a form favourite on the festival circuit over the past 4 years and have played with some of the countries top musicians.
Youtube links: https://www.youtube.com/watch?v=RX75syFhRkE
Youtube links: https://www.youtube.com/watch?v=RX75syFhRkE
SUN XA EXPERIMENT
Sun Xa Experiment is an Ancestral Avant-Garde Free Music outfit from Soweto, formed back in 2014. Their musical influences and styles range from a global perspective and they perform music that speaks to the listener in Isizulu, SeSotho and English. They find their source from great musicians like Sun Ra, mama Busi Mhlongo, Sakhile, Ndikho Xaba, as well as street songs, struggle songs and traveling. They are currently recording their debut album Umculo Umuthi (Music Is Medicine) to be released shortly.
BAMBANANI BRASS BAND
Bambanani brass band was formed in 2000 in Alexandra North of Gauteng. Bambanani is a community committed to the African arts and culture of South Africa.
Our mission is to create a service oriented platform to promote and explore South Africa’s vast arts culture industry and enhance the socio-economic status of the Alexandra artists community.
The organisation intends to encourage our generation youth community to get involved in a variety of after school activities that would help them busy and channel their efforts in the direction through music. Brass band music has played a big through social and political point of view in the whole world, it has benefited our communities in terms of economical aspect whereby the we lot of vacancies that was being opened in other job industries e.g.
Security, Music Manager, Lawyers, Promoters, Record Companies etc. So therefore it necessary to continue to plant the seed for our next generation by teaching them of how to play, read, write music and interpret it. Since music has been there through decades and decades there were other departments that were open through music departments like dance, acting, visual art etc. People are living different type of culture, religion and customs so the entertainment has capabilities of uniting all these different tribes.
Buskaid is a unique initiative. Its aim is to give young people from Soweto the opportunity to explore and fulfil their musical potential, through high quality tuition on the violin, viola, cello and double bass at the Buskaid Music School. This has the added benefit of improving their educational and social prospects, and transforming their whole local community.
It was founded in 1992 by British viola player Rosemary Nalden in response to an item on the BBC’s Today programme highlighting the difficulties of a group of young string players in Diepkloof, Soweto.
This year no less than 6 stages will be brought to you by the Fête de la Musique:
Total Main Stage
Market Theater stage
Trace TV stage
Work Shop New Town stage
Potato Shed stage
Newtown Junction stage